An evening where Irish motifs sound in the "purest Voronezh language", and feet dance on their own. Expect choral refrains, jokes between songs, and dancing until exhaustion - here, they appreciate a lively, slightly mischievous atmosphere and drive. On stage, there are six different participants and "conditionally tuned" instruments, while in the hall - rivers of smiles, toasts, and friendly noise. Sometimes the best way to reboot is to take a step towards noisy folk fun. This concert is chosen by those who are tired of even evenings and want the music to work like a button to "turn on joy". The program includes a huge number of traditional Irish songs, but they are presented with a signature humor: here you have the "purest Voronezh language", self-irony, and that very tempo where you first clap your hands, and after a couple of numbers, you are already dancing without pauses. Between tracks, short remarks, jabs, and friendly comments sound - the feeling is as if you have stumbled upon a cheerful gathering that suddenly grew to the scale of a club. The collective fundamentally avoids "correct" academicism: no polished poses or sterile sound. The musicians play by intuition, on conditionally tuned instruments, so each verse can turn unexpectedly - that’s where the pleasure lies. There are six of them, all different, with their own habits and characters, so something is always happening on stage beyond the music: exchanges of remarks, funny details, small internal stories. A separate plus is the sense of journey: the musicians live and work in Voronezh, but for this evening they make their way to you, bringing all their club enthusiasm with them. This is well felt in the presentation: everything is honest, homely, and without distance, as if you are standing at the stage in the front row and hearing every laugh, every chorus catch.