Siberian noir on stage turns an investigation into a nerve-wracking game with memory, suspicions, and a fragile sense of reality. The story begins as a detective tale but quickly veers into a strange, unsettling, and almost musical expression about choice, fear, the cost of mistakes, and the cold that grows within. The new project "a39" addresses the genre of Siberian noir - dark, ironic, and tense. At the center of the plot is an investigation that could change the course of events, but from the very beginning, it does not go according to plan. Here, the facts of the case, intonations, pauses, and the feeling that beneath the external criminal intrigue lies a deeper conflict: between memory and self-deception, truth and a convenient version of what happened. The author of the idea and director Oleg Glushkov constructs the stage action as a dark story with sharp intonations, internal coldness, and unexpected musical accents. A rough song-like intonation plays a separate role - not as a mundane detail, but as part of the artistic language. It helps convey the lyricism of a world where behind simple words lie pain, guilt, suspicion, and a longing for impossible clarity. On our website, we tell about free events in Moscow.