Candles, chamber light, and the string quartet "Melodion": in arrangements for four instruments, Mozart sounds - from "Eine kleine Nachtmusik" to overtures to operas, alongside Bach, Handel, Vivaldi, Beethoven, and Paganini. Sometimes Mozart is best heard not in loud brilliance, but in a chamber scale - when every line is visible and each voice has its own role. On this evening, the string quartet "Melodion" under the direction of Natalia Tupikova-Moroz offers just such a perspective: large scores and famous pages of classical music become a conversation of four instruments. At the center of the program is Mozart. In arrangements for quartet, "Eine kleine Nachtmusik", the 40th Symphony, as well as overtures to "The Marriage of Figaro" and "The Magic Flute" will be performed. This format is especially appreciated by those who love to dissect music "layer by layer": to hear how the melody is passed from hand to hand, how the accompaniment suddenly turns into an independent narrative, how pauses work just as well as climaxes. To prevent the evening from turning into a museum display, composers with whom he argues and resonates have been added to Mozart. On the list are Bach and Handel, Vivaldi with "Winter" from "The Four Seasons", Beethoven with "Appassionata", and the famous Caprice by Paganini. This is a collection of "eternal hits", but in quartet sound they are perceived anew: closer, with an emphasis on rhythm, the breath of the phrase, and ensemble precision. Where to go in Moscow is known by KudaGo.