The exhibition offers a radical view of painting as a direct experience rather than an image. It is an emotional and physically tangible statement about violence, nature, and human responsibility. In his new project, artist Yegor Fedorichev approaches painting as an ultimate gesture - open, risky, and devoid of distance. Having undergone serious academic training, he has developed his own language and today consciously rejects stable forms, perceiving them as obstacles to genuine emotion. He is interested in the moment when the viewer's expectations cease to function, and art once again becomes an event. The basis for the works is not a traditional canvas, but a rough, almost utilitarian material that freely covers the walls and forms a unified space. This creates a sense of an endless field covered with fresh snow - a scene where everything has already happened. The painted installation becomes total, and the image becomes an environment in which the viewer is physically included. Drawing on the theme of hunting, the artist translates the landscape into tense dramaturgy: traces, stains, torn outlines turn into a narrative about life and death. Abstraction is replaced by recognizable forms and dissolves again, leaving the question of what the one who pulls the trigger feels. Color here is not a convention, but flesh, dirt, blood, absorbed into the surface, like events - in time. This project stands in opposition to the decorative tradition of hunting painting. Instead of beautiful poses - blurred closeness, instead of harmony - a deaf heaviness. The artist takes the side of the harsh, dark nature, where there is no tenderness, but there is inevitability. Find other exhibitions in St. Petersburg on KUDAGO.