Abstraction here sounds like a conversation about the memory of forms and materials: from suprematist ideas to today's artistic gestures. Artists Mikhail Roshnyak and Nikita Kropotkin engage in a dialogue without direct quotes, assembling painting from light, texture, and traces of time. The exhibition features two different temperaments, but the common logic is the same - to view painting as cultural archaeology. One artist works with acrylic, pastel, and charcoal, constructing abstract planes on MDF, plywood, paper, and canvas. The other is known for his technique of "painting with earth": real soil, clay, and sand serve as pigments - materials that hold the imprint of territory and human stories. References to Malevich, Popova, and Matyushin here do not turn into a textbook. Rather, it is an attempt to reread familiar discoveries of the avant-garde, to test their resilience, and to hear how they resonate today. The contrast of the authors' approaches sets the rhythm of viewing: sometimes attention is caught by graphic precision and tension of lines, other times - by the heavy, almost relief surface, where color is born from the earth. The curator gathers these works into a single statement about two beginnings - rational and intuitive, constructive and organic. As a result, a space emerges where abstraction becomes not a puzzle, but a way to feel a connection with tradition and one's own roots. Entertainment in Moscow is collected on our website.