Vladislav Efimov's installation explores the concept of life as a scientific and ideological construct. The artist examines how the understanding of "the living" has changed under the influence of utopian ideas and social attitudes. Vladislav Efimov's project focuses on the phenomenon of life and how the very notion of "the living" can transform depending on the era. The attention is drawn to moments when scientific theories about the development of organisms were closely intertwined with ideological frameworks. The work addresses the period when the idea of the inheritance of acquired traits received active support and became part of large-scale societal expectations. The notion of purposefully shaping the nature of a living being through willpower transcended laboratory boundaries and became an element of political and cultural discourse. The installation builds a dialogue between science, art, and ideology. The artist reflects on how utopian projects aimed at "improving" humanity and society influenced scientific thought and how these processes were reflected in the visual field. The viewer encounters an attempt to rethink the boundaries of objective knowledge. The work invites contemplation on where the line is drawn between research and belief in progress, between facts and their interpretation, as well as the role art plays in discussing these complex interrelations. The exhibition takes place at the PENNLAB gallery. Where to go in Moscow today, KudaGo knows.