The project showcases Cyrillic as a living cultural code that transcends the boundaries of the printed page and becomes part of the city. At the heart of the exhibition is a conversation about the letter as an independent artistic image. Participants in the project work with text in the street space, where the inscription almost always exists on the edge of gesture, sign, and visual noise. Some transform the word into a dense abstraction, while others turn to ancient Russian calligraphy. In each case, the letter ceases to be merely a carrier of meaning and begins to act as a form, line, rhythm, and trace of time. Cyrillic here becomes a flexible system open to experimentation, while remaining a recognizable marker of language, environment, and cultural identity. Where to go in Moscow today, knows KUDAGO.