The focus is on the moment when familiar meanings begin to shift, and the viewer notices how easily perception can succumb to error, expectation, and internal tension. At the core of the exhibition is the state of a limit - the feeling when accumulated tension can no longer be ignored. Dima Retro translates it into the language of objects, text, and form, showing how fragile our perception is and how quickly confidence in the obvious can fail. The drop becomes the main symbol of the project - a sign of transition, accumulation, and break. It appears in the works as a plastic, fluid form that confronts rigid geometry and strict constructions. The material itself also holds special significance. The surfaces undergo multiple processing, polishing, and lacquering, causing their natural quality to almost disappear. The eye begins to doubt what is in front of it - wood, plastic, or metal. An up-to-date program for Moscow is presented on KUDAGO.