The project brings back into focus an artist who long remained on the periphery of the traditional canon of Russian avant-garde. The exhibition shows his place among the masters associated with the "Union of Youth" and the searches of the early 20th century. The foundation consists of paintings and graphic works, through which one can judge how the artist responded to the ideas of his time. Through his canvases and sheets, the transition from more familiar motifs to experiments with composition, line, and color is visible, as the traditional language of art begins to change. The exhibition invites visitors to go beyond the narrow list of the most famous names and to view the avant-garde as a broad circle of authors who worked in the same creative environment. In this narrative, not only the loud surnames are important, but also those who participated in joint exhibitions and debates, remaining less noticeable to the general public. A separate section is dedicated to the artist's connection with the St. Petersburg association "Union of Youth." It was there that the atmosphere of experimentation was formed: manifestos were discussed, debates about the future of art took place, and new ideas about the role of the master emerged. Works from the collections of several museums demonstrate that the author felt confident both in depicting urban motifs and in more conditional, generalized images. The route through the exhibition allows one to trace the change of style step by step-from early experiments to mature solutions, showing how the artist's personal biography and the general context of the avant-garde come together in the story of the search for a new artistic language. The exhibition takes place in the Ioannovsky Ravelin of the Peter and Paul Fortress. To find out where to go in St. Petersburg, you can visit our website.