Illustration here comes to the forefront and begins to speak on equal terms with the text. The focus is on books where character is defined not only by words but also by graphics, the rhythm of the spread, the plasticity of lines, and thoughtful visual dramaturgy. A book can sound with the author's voice or in the language of images. In these projects, it is the illustration that sets the intonation, builds the rhythm of reading, and shapes the character of the publication. Before the viewer are seven independent statements about what a modern book can be. Authors work differently with material and audience. The history of rock music unfolds as a visual story about the change of eras - from the first experiments to the early 2000s. The route through the Darwin Museum is turned into a game with tasks and graphic hints, while a children's guide to the Pushkin Museum offers to look at the exhibits through questions and details that are easy to miss. There is a project dedicated to the theatrical puppets of Sergey Obraztsov: it explores their structure, plasticity, and stage biography. A guide to the Japanese language is built on a system of scripts and cards, where images aid in memorization. The atlas of poisonous plants of Russia connects scientific descriptions with myths and folk stories. The illustrated design of "Two Captains" refers to documents and the material environment of the time of the novel's action, creating a sense of authenticity. The exhibition features author sheets, enlarged spreads, and printed versions of books - the entire journey from idea to finished publication. If you don't know where to stroll in Moscow, visit KudaGo.