The exhibition invites viewers into the world of Kharms and his like-minded contemporaries - a space where play becomes a means of understanding, and absurdity a form of resistance to reality. Between poetry, dreams, and strange objects, a dialogue about freedom, reality, and the art of living against logic is born. The project offers a look at the legacy of Daniil Kharms, Alexander Vvedensky, Nikolai Oleinikov, Yakov Druskin, and their circle as a living space of ideas, where childhood play coexists with philosophical depth. Visitors will be able to "enter" their world literally - to climb onto a soft mattress-raft resembling an ark, and among whimsical objects discover texts, sounds, and meanings that grow from an absurd perception of reality. Here, one can walk through Leningrad of the 1930s and 1940s, seeing how the artists and writers of OBERIU turned the absurdity of the world into a creative method. Their absurdity is not denial, but a way of searching for meaning, an answer to the chaos of time. In the objects of the exhibition, irony and anxiety, reality and dream, language and body intertwine. This is an attempt to get closer to the spirit of the era when art became a means of survival, and creativity an inner refuge. The viewer is invited to choose their own "texts for life" and, like Kharms' heroes, find a personal focus that allows them to stay afloat in the stream of an absurd world.