A family story in line and stroke: the woodcuts of Vladimir Kosynkin with their strict plasticity and series where the plot grows from Christmas motifs and fairy tales coexist with the works of his daughter Daria - carved wood engravings, hand-painted and close to lubok. In this exhibition, engraving becomes a family conversation in one language - the language of wood, chisel, and paper. Here, the woodcuts of Vladimir Petrovich Kosynkin (1941-2025), a master of prints and plastic constructions, meet the works of his daughter Daria, who chooses carved wood engraving: first, the drawing is cut on a board, then an impression is printed and hand-painted. Kosynkin's sheets are gathered into large cycles - "Christmas", "Three Fat Men", "Arabian Tales", "Fables of Mikhalkov" and others. They convey a discipline of composition: a clear rhythm of the stroke, a thoughtful architecture of the frame, attention to how light falls on the form. These works resemble a well-assembled mechanism - each line works for the plot, and the concise contrast makes the scene almost theatrical. Nearby are Daria's lubok intonations and fairy-tale logic. Her drawing is a bit bolder, as if speaking directly to the folk picture: paradoxical details, symbols glimpsed in everyday life, and soft irony come into play. In the engravings live proverbs and folklore, secular and religious motifs, and the personal mythology is built from familiar gestures and objects - so that one wants to examine the sheet as a map of a small world. Particular attention is given to the series of engraved proverbs on the plots of Russian history "A word is not a sparrow, it will fly out - you won't catch it," prepared by order of the Federal Center for Humanitarian Practices of RGGU in 2024. Comments on the works help capture how the image is born: from the choice of the board and the depth of the cut to the last stroke of hand painting. If you don't know where to walk in Moscow, visit KudaGo.