Sonia Stereostyrski's installation transforms the familiar museum surveillance system into a strange and ironic spectacle. The project reflects on control, the rituals of museum space, and how we look at art while someone is watching us. The work is structured as a reconstruction of a security post in a contemporary art museum. Before the viewer is a table, screens, recordings from surveillance cameras, and a feeling of complete immersion in someone else's control system. But very quickly, the familiar museum situation begins to shift: among the visitors, alien beings appear, behaving almost like humans and examining the exhibition with the same attention. This shift turns the installation into a reflection on the panopticon - a space where few observe many, and the act of observation itself becomes a form of power and order. The museum here is presented as a place with strict rules and its own ritual of behavior. Even absolute otherness, finding itself within such a system, is forced to adapt to its norms, and thus the aliens appear not as a threat, but as delicate and curious guests. The most important thing happens at the point of role reversal. The viewer stops being an ordinary visitor and becomes an observer who watches not the artworks, but other viewers. At this moment, the exhibition offers to see art where it is usually not sought - in human behavior, gestures, and presence. And at the same time, it reminds us that observation is always mutual. Where to go in Moscow, KUDAGO knows.