The project considers the archive as a living material that can be debated and used to build new artistic connections. Sculptures, textile collages, and installations transform documents and the legacy of the avant-garde into an ironic space. The exhibition addresses the legacy of the second wave of Russian avant-garde. At the center of the project is a conversation about how the archive changes meaning when it enters the field of contemporary art. Documents and traces of exhibition history become an opportunity to play with memory. The project connects sculpture, textile collages, and installations. Alexey Luka and Vitaly Tyurlik work with the archive in different ways, but both choose irony as their main tool. They are interested in the question of where the document ends and independent expression begins. Luka focuses on the storage system, supports, cells, and intermediary objects. In his view, the collection relies not only on valuable materials but also on unnoticed things that help them be preserved. Tyurlik builds a line around the history of the gallery and the image of the avant-garde club. Banners related to social art retain a textual basis and appear as independent objects. For other exhibitions in Moscow, look for KUDAGO.