Anton Smirnitsky's personal project returns to the pictorial works of the 1990s and early 2000s. The exhibition focuses on early canvases where the author's artistic language was formed and his reflections on "reflection" as a principle of vision. The 1990s and the first half of the 2000s rarely coalesce into a coherent picture - too many different impulses, too many directions. In this turbulent artistic field, Anton Smirnitsky has established himself as a keen observer and participant in the process, capable of capturing the nerve of the time and translating it into a visual gesture. His development went through intellectual debates, collaborative projects, and personal searches. The artist quickly entered the circle of the Moscow art scene, where he combined ironic intonation with inner concentration. Behind the public activity existed another plane - individual work in the studio, where painting became a space for analysis and self-observation. The presented canvases belong to the period of the early 1990s to the first decade of the 2000s. They demonstrate different stylistic moves and capture the moment of image formation. In these works, there is a noticeable interest in incompleteness: the transparent underpainting remains open, the surface is not closed with a dense layer of paint, allowing the structure of thought to be seen. The preserved works are perceived as a message that has come through time. In the texture of the stroke, the physical presence of the author is felt, and the very title of the project refers to the state of "after" - when the main event has already happened, but its intonation continues to resonate. Free admission by prior phone call. See phone below. Photo: krokingallery.com Photo: krokingallery.com Ideas on where to go in Moscow are collected on our website.