"Hamlet" without Hamlet? Why not - if we are talking about 21st-century theater. At the meeting of The Theatron club, the boldest interpretations of the play will be discussed: performances without the Danish prince, original branches, failures, and breakthroughs. This is a conversation about where the classic ends and the new scene begins. What can be said about "Hamlet" today that hasn't been said yet? How to stage it in a way that surprises an audience raised on dozens of interpretations and adaptations? In 21st-century theater, this question sounds particularly acute - and becomes a starting point for the discussion of The Theatron theater club. At the meeting, participants will talk about non-classical, bold, and sometimes radical approaches to Shakespeare's play. What if we remove the main character? Or replace the prince with a collective image? Why do some productions that go against traditions end up failing, while others become cultural phenomena? At the center of the conversation is not just a retelling of plots, but an analysis of trends, directorial techniques, and artistic decisions. Iconic performances will be mentioned where Hamlet is no longer the main character, where the play becomes a space for playing with expectations, and the audience encounters a theater without templates. The discussion will touch on not only successful examples but also loud failures - as they also shape the theatrical landscape of our time. The meeting will suit anyone interested in modern theater, who loves to seek meanings between the lines and is not afraid to look at the classics from an unexpected angle. This is an opportunity to peek behind the scenes of bold interpretations and think together: can "Hamlet" exist without Hamlet - and why is this necessary for theater and the audience.