Two dance works come together for an evening about the boundaries of personal space, the search for freedom, and the frightening power of myth. In the first part, the audience will be able to become part of the action, while in the second, they will trace the metaphor of motherhood through the image of Poludennitsa. This is a plastic and tense conversation about the body, fear, intimacy, and the inner "I." The dance theater knows how to speak where words are no longer enough: through the distance between people, a sharp turn of the body, a pause, a gaze, and the breath of the hall. The program features two works that differ in form but share an interest in the body as a space of choice, memory, and hidden tension. The first part was created for the youth ensemble of the dance company "Absolute." It explores the feeling of one's own "I" next to a group, alone with another person, and in solitude. The performance raises questions about personal territory: where it begins, when it is violated, and why sometimes even closeness can be unsettling. The audience becomes participants in the action, making the boundary between the stage and the hall fluid. This format helps to feel the theme not abstractly, but physically - through presence, reaction, and one's own place in the shared space.