In the White Hall of the library, an intimate meeting will take place with actress and poet Yulia Romanova. Guests will hear new poems about the city, summer, and the search for their path, learn the stories behind the lines, and see how separate texts come together to form an honest conversation about love, memory, and inner freedom, where it is easy to find a resonance with their feelings. Poetry collections are often read in solitude, listening to the intonation of the lines. At the creative meeting in the White Hall of the library, this process becomes a shared experience. Yulia Romanova, a Petersburg actress and author of poems, shares the texts personally, without the distance of a paper page. The voice, pauses, intonations, and live presence make the lyrical stories about the city and feelings particularly tangible. During the meeting, the discussion will focus on how poems are born. The author will share what becomes the starting point for the text: a random detail in the urban landscape, a conversation on the trolleybus, a summer evening by the water, a short correspondence that does not let go. From these observations, plots about love, partings, waiting for changes, and attempts to hear oneself in a noisy metropolis are formed. The collection presented in the library is constructed like a mosaic. Each poem resembles a separate frame, but together they form a whole story in which familiar feelings are easily recognized. Someone will hear their own summer in the lines, someone will resonate with the motif of searching for support in a big city, and someone will find the texts about accepting oneself and another person important. The reader becomes a co-author, filling in personal experience between the lines. Yulia Romanova works on the stage of the "Theater on Lansky" and in the theatrical society "Vyhod", so her stage thinking influences the presentation of poetry. The poems sound like small monologues, where gesture, gaze, and change of speech tempo are important. This format is especially close to those who love theater and value live communication with artists outside the framework of the performance. There is no strong division between "stage" and "auditorium" here - a conversation on equal terms arises. The meeting takes place as part of a project.