Fans of Lynch are in for a meeting with one of the most discussed cinematic puzzles of the 90s - a thriller-detective where reality breaks down into doppelgängers, fears, and symbols. The film will be shown in its original language with Russian subtitles. After the screening, film critic Sergey Kuleshov will break down the plot into versions and details - from sound to hidden motives. Anxiety-inducing neon, the rustle of film, music that seems to push towards incorrect conclusions - on the big screen, "Lost Highway" will be shown, one of David Lynch's key films. It is called a puzzle not because of trendy non-linearity, but because the film makes you doubt every detail: in faces, in motives, in the very sequence of events. At the center is the story of a musician who step by step loses his footing in familiar reality. The plot unfolds like a series of coincidences, memory lapses, and mirror reflections, and then sharply changes perspective, as if shifting gears. Lynch works with themes of duality, destructive fear, and guilt, and symbols and sound play an equally important role here as dialogues. The screening will take place in the original language with Russian subtitles, so you can hear the intonations and rhythm of speech as they were intended by the author. After the viewing, there will be a discussion: film scholar and critic, festival curator, and editor of the "Art of Cinema" website Sergey Kuleshov will help gather impressions into a cohesive picture, analyze popular interpretations, and suggest which visual and dramaturgical hints to pay attention to. The film was made in 1996 and lasts 134 minutes; the genre balances between thriller and detective, but it does not provide familiar answers. On screen are Jack Nance, Charlotte Stewart, and other actors, and the story itself is constructed like a road loop, where the ending unexpectedly returns to the beginning. This screening is connected to a re-release commemorating the 80th anniversary of the director's birth, and provides a rare opportunity to see Lynch's work in a cinema hall, rather than on a home screen - with the same sound volume and darkness in which details ignite more strongly.