Natalie Sarraute's play "Out of the Blue" is being staged for the first time in Russia - and immediately in the format of a sound installation. In a music studio, the characters transform into sounding instruments, conflict becomes the soundtrack, and a tense dialogue is accompanied by live sound. Here, words are weapons, and music is a space of emotions. What can happen if you say an unguarded phrase? And what if it’s not just words, but the beginning of a chain of events, where each subsequent one is a chain reaction? The sound installation play "Out of the Blue" based on Natalie Sarraute's play is a journey into the very essence of human communication, where the word becomes both a bridge and a weapon. Sarraute's play was written in 1982 and first published in Russia in 2009, but it is only now that it sounds for the first time on stage - in the literal sense. The creators of the play transfer the action to a music studio, where each of the characters is represented through a musical instrument. Here, dramaturgy merges with live sound: words, emotions, and intonations enter into dialogue with the guitar, bass, and audio phenomena, turning the text into a full-fledged sound installation. The play has no names, only numbers and roles. This anonymity emphasizes the universality of the situations and images. Sarraute employs the technique of "tropism" - the internal movement of thought, feeling, reaction, hidden beneath the surface of dialogue. The audiovisual design supports this effect, immersing the viewer in a flow of emotions and internal conflicts. The project has brought together a unique team: director and participant in the sound scene - Anton Kasimov, actors and musicians - Konstantin Itunin, Oleg Yagodin, Irina Plesnyaeva, sound engineer Alexander Volkhin, and video artists Vitaly Maslov and Ivan Nechaev. Their task is not just to stage the play, but to explore how sound becomes a character alongside a human. This play will be of interest to those who seek unconventional theater, value experiments, are ready for reflection, and want to hear how conflict sounds. It is an opportunity to immerse oneself in an atmosphere where meaning is conveyed not only