A documentary play about street art looks at Yekaterinburg through fences, inscriptions, yards, and urban disputes. Here, street art becomes a reason to talk about personal boundaries, anxiety, the right to self-expression, and why some see noise in the drawing while others see a living voice of the city and a sign of its inner freedom. The city speaks to a person not only through signs and official plaques. Sometimes its voice appears on a concrete wall, an old fence, a facade in a yard, or in a random phrase that someone left at night. The documentary production of the Free Theater named after Samantha Smith examines Yekaterinburg through street art - as a territory of collision of tastes, fears, personal boundaries, and attempts to be heard. At the core of the play are fragments of monologues by artists and city dwellers. Some perceive street art as a way to enliven the familiar environment, while others see it as an invasion, chaos, and a violation of order. From these different voices, a conversation emerges about who owns the city and where the boundary lies between art, a gesture of protest, personal expression, and visual noise. The production does not provide a ready answer but carefully shows the conflict itself - alive, nervous, and recognizable. Where to go with children in Yekaterinburg can be found on KudaGo.