Grigory Dobrygin's performance examines conducting as a language of body, attention, and inner energy. The artists of "a39" study the gestures, habits, and intonations of famous conductors to show how music is born and why a single wave of the baton changes the entire orchestra, the hall, and the listener's role within the event. Grigory Dobrygin's production addresses the profession of conducting as a mysterious and almost invisible art to the audience. Typically, listeners' attention is focused on the orchestra and the sound, but here the center is the person who initiates the musical movement with a gesture, a glance, a pause, and precise inner rhythm. The method of work is close to the theatrical exercise of "observation." The artists of "a39" studied not the abstract image of the conductor, but specific manners: the application, body language, habits, the way to speak and hold oneself in front of musicians. Thus, on stage, there emerges not a lecture about the profession, but a living exploration of how power, concentration, hearing, and plasticity unite in one person. If you don't know where to stroll in Moscow, visit KUDAGO.