Oleg Dobrovolsky directs a play that critiques the state of the world after the war, which has still not recovered. The main motif of the plot, which Friedrich Dürrenmatt developed in his work that came to light in 1956, is betrayal and revenge. At the same time, the stage adaptation raises several questions - about transhumanism, evil, and whether it can be stopped. Evil itself is viewed by the director as an indestructible part of the mechanism of violence that was set in motion long ago and has only gained deadly momentum over time. The main character oscillates between the possibility of acknowledging guilt and thereby being on the brink of destruction, or somehow transforming, finding themselves again. A play about the machine of death, between Trier's "Dogville" and Goethe's "Faust." See more plays on our website in the theater section.