The production is a continuation of the Chekhov cycle by Konchalovsky, and in its stage embodiment, it resembles a musical symphony conducted by the director. It can be confidently stated that the play "Three Sisters" is a logical continuation and development of another production by Konchalovsky, "Uncle Vanya": this can be traced both in the plot and in the same decorations and almost the same cast. The play featuring Yulia Vysotskaya, Alexander Domogarov, Irina Kartasheva, Pavel Derevyanko, Larisa Kuznetsova, and other artists from the previous production is the second part of Konchalovsky's unique dilogy. The directorial idea is that in "Three Sisters," the roles of the actors change to opposite ones. The director managed to achieve a complete reflection of the classical psychological realism of Chekhov's world. The monologues of this play are permeated with sharp irony. Konchalovsky himself seems to take the place of some conductor who interprets the classical work in his own way. By seeing the play "Three Sisters," you will be able to reevaluate this work and experience the personal tragedies of each of the main characters of the play from a completely new perspective. The play features music by Eduard Artemyev.