This monologue performance transforms Mayakovsky's poem into a powerful stage statement, where words move through music, plasticity, and internal tension. The production, which grew from a strong first reading, helps to hear in the familiar text not a monument from the school curriculum, but a living, risky, and very personal voice. There are texts that cannot be perceived calmly and from a distance. They demand a voice, a gesture, internal movement, and almost physical presence. This is how Mayakovsky's poem unfolds in this monologue performance. The production grew from the first strong impression of reading and over the years of stage life has acquired its own form, in which the word works not as a literary quote, but as energy capable of entering into a dispute with space, objects, and the audience itself. The main feature of this work is in its stage language. Before the audience is not a traditional illustration of a famous work, but a musical and plastic action with almost ritual power. Such an approach allows one to hear the author's intonation differently and to feel how modern his nerve, his sharpness, his vulnerability, and the scale of his internal tension sound. Here, Mayakovsky's poetics does not freeze in familiar formulations, but unfolds in all its power - as a combination of lyrical vulnerability, emotional maximalism, revolutionary scope, and a daring conversation with the world at the limits of possibilities.