A world of sounds born from an inflamed consciousness in the play by Elizaveta Bondar based on Shakespeare's tragedy. The darkest Shakespearean play is presented in the genre of formal theater. Elizaveta Bondar, a musical theater director, brings sound to the forefront here as well. Not only in terms of the musical fabric of the performance and the voices of the actors - even the scenery makes sounds. Macbeth in the play is shell-shocked from the war. This image logically stems from what the character had to endure. The entire action unfolds in his inflamed consciousness. The objects around him begin to sound. As for speech, it also transforms and becomes not always intelligible, full of illogisms, substitutions, and inversions. All of this is a projection of the horror that, filling the consciousness, destroys intellect. You can find more performances on our website in the theater section.