The documentary-journalistic play about Sergei Yesenin collects poems, letters, and testimonies from contemporaries into a single nervous confession. The youth collective seeks in the poet not a myth, but a living person - bold, vulnerable, contradictory. Here, facts and emotions resonate equally. The finale leaves a lingering taste of heartfelt conversation. Who is he - the poet who called himself a troublemaker, and why does his life still disturb? This documentary-journalistic play gathers the biography of Sergei Yesenin from archival facts and living voices - memories of loved ones, fragments of letters, newspaper lines, diary intonations. The story moves from flashes of youthful boldness to a sense of tragic resolution, and the audience constantly hears the pulse of time, where the personal argues with the public. On stage works the youth collective OSNOVA. They do not build a bronze monument and do not read "according to the school curriculum." At the center is a person with sharp turns of fate, with a thirst for freedom, with painful honesty and strange tenderness. The poems enter the action as nerves, not as quotes: the words sometimes cut, sometimes heal, sometimes suddenly amuse, and then return to heavy truth. The production relies on precise composition. Director Evgeny Kargin leads the action as a confession, where document and imagination stand side by side. The stage movement and choreography by Kamila Frantsuzova help the body express what is difficult to say aloud. Speech coach Olga Fomkina builds the sound so that each word has weight and does not get lost in emotion. The cast features many voices, and this works like a choir: different temperaments create a three-dimensional portrait of the era. Someone takes on the impulse and risk, someone - vulnerability and fatigue, someone - the dream of simple happiness. From these role changes, the feeling arises that the poet's fate is not "one," but as if lived by several people at once. Where to go with a child in Moscow, look for on our website.