An actress falls silent on stage and no longer utters a word - neither to doctors nor to loved ones. A nurse speaks more and more, revealing herself to the other's silence, until the boundary between them begins to melt away. Bergman's "Persona" is one of the greatest films in cinema history about the nature of personality, its fragility, and duality. "Persona" from 1966 is one of those films that cannot be retold and cannot be forgotten. Ingmar Bergman created an intimate, almost plotless film about identity, silence, and what happens when two people are too close to each other for too long. This film does not tell a story - it creates a state. That is why it is watched again and again - and each time something new is found. The famous actress Elizabeth Vogler (Liv Ullmann) suddenly falls silent during a performance. Doctors find no physical reasons: she is healthy but seems to be frozen. For recovery, she is sent to an isolated cottage by the sea along with a young nurse, Alma (Bibi Andersson). Alma talks - a lot, trustingly, more and more openly, sharing with the silent Elizabeth her hopes, fears, and most personal memories. Elizabeth listens. But the more Alma opens up, the more the boundary between them blurs: who consumes whom, who is whose mask?