From August 17 to 22, the "Khudozhestvenny" cinema will host a retrospective program "Moscow, My Love". The "Khudozhestvenny" cinema will present the program "Moscow, My Love". It includes six films in which Moscow is not just a backdrop for action, but a full participant in events, reflecting the rhythm, mood, and cultural image of different eras. This is a rare opportunity to see classics of Soviet cinema in the original 35 mm film format - with the natural texture of the image and authentic sound. Audiences can expect a journey through the city across decades. The program will open with "July Rain" by Marlen Khutsiev - a poignant portrait of the thaw generation with its doubts, internal changes, and the special atmosphere of Moscow streets in the mid-60s. Alexander Mitta's melodrama "Moscow, My Love" tells the story of a Japanese ballerina who comes to the capital to fulfill her dream - to dance at the Bolshoi Theatre. In Eldar Ryazanov's comedy "The Girl Without an Address," the protagonist embarks on a romantic search for a mysterious fellow traveler he met on his way to Moscow. "Three Poplars at Plyushchikha" by Tatyana Lioznova is an intimate story of a meeting between a taxi driver and a provincial girl, which turns into a quiet yet powerful story about feelings and fleeting connections. "New Moscow" will showcase the capital of the late 1930s in the genre of satirical farce about grand plans for building the city of the future. The program will conclude with the lyrical comedy by Georgy Danelia "I Walk in Moscow" - a film that has become a symbol of youth, friendship, and the lightness of the 60s. Each screening will not only be a meeting with famous directors and actors but also a cinematic walk through Moscow - from pre-war panoramas and utopian projects to lyrical courtyards and boulevards of the thaw. The program allows viewers to see the city through the eyes of different eras and generations, to feel its living breath and changing character. An opportunity to see classics of Soviet cinema on film, to remember beloved scenes, and to discover rare films in which Moscow comes alive as the main character.