Natalia Dorogina's solo exhibition explores taxidermy, hybrid knowledge, and new relationships between humans and the surrounding world. Taxidermy-a method of creating stuffed animals-has long had practical significance: it helped preserve parts of animals, became a foundation for crafts, and later entered museum culture as a way to study nature and showcase its structure. In Natalia Dorogina's personal project, taxidermy takes a new turn. The artist refers to the image of an educational tool but strips it of its previous clarity: instead of a calm demonstration of "knowledge about the world," hybrid forms emerge before the viewer, in which any explanation begins to wobble. The exhibition tells how our relationship with nature, the body, objects, and technologies has changed. While scientific description used to strive to capture the living, measure it, and place it in an understandable system, today it is increasingly acknowledged that the world does not fit into a ruler, caliper, and neat museum showcase. Contemporary philosophy discusses the rights of non-human agents-animals, insects, objects, planets, technological systems. Against this backdrop, the observer's usual confidence gives way to a more complex perspective. The exhibition will be of interest to those who follow contemporary art, the ecological agenda, post-humanist philosophy, and projects at the intersection of science and visual culture. The curator of the project is Alexey Korsi. If you don't know where to walk in Moscow, visit KudaGo.