How does the perspective on a museum change when viewing the collection through the eyes of an artist? Kyrill Borodin's mediation transforms a walk through the halls of the Underground Museum into an honest conversation about influences, points of inspiration, and how the works of others gradually become part of one's own practice, a discussion about freedom, doubts, and the search for one's own language. In a typical visit to a museum, we often come as spectators who "correctly" read the labels and try not to miss anything. In this mediation, the focus shifts: the exhibition of the Underground Museum becomes an opportunity to look at familiar halls through the eyes of an artist, for whom each work in the collection is not an abstract exhibit, but a possible interlocutor, a guide, or a point of contention.