Shows Are Standing Room Only AMERICAN AQUARIUM American Aquarium, New Ways to Lose 20 years. 20 records. Over 4,000 shows. And somehow, American Aquarium are still finding new ways to surprise us. On New Ways to Lose, frontman BJ Barham and his band of road warriors turn two decades of survival into a driving, deeply-felt rock one built on resilience, reinvention, and the hard-earned clarity that only comes with time. "We've always been outsiders," says Barham, whose songwriting has steered the group through lineup changes, heartache, addiction, recovery, a global pandemic, and every other obstacle imaginable. Long before algorithms and viral breakthroughs spelled out success in the music industry, American Aquarium earned their place the old-school way: through relentless touring and a stubborn refusal to disappear, even when the odds suggested they should. New Ways to Lose turns that outsider status into armor. Produced once again by multi-time Grammy winner Shooter Jennings, the album was recorded in Los Angeles over a 10-day session that captured the band at their most immediate and alive. Much of the record was tracked live, with Jennings encouraging spontaneity and instinct over perfection, while a round of overdubs offered the opportunity to add three-part harmonies and horn arrangements to the songs. The result is a muscular, cinematic record that embraces both sides of American Aquarium's identity: the bruised confessionals of a songwriter who's already spent decades sharpening his craft, and the full-throttle release of anthemic, amplified rock who formed the band in 2006 in Raleigh, North Carolina. The album isn't just a snapshot of a band at its peak. It's a personal turning point, too. "All of my records are yearbooks," he says. "Twenty years from now, I'll pull them off the shelf and remember exactly who I was when I wrote them." If earlier albums offered glimpses of a man in his 20s, making his way through a haze of uncertainty, heartache, and bad behavior, then New Ways to Lose...