Lectures about cinema can vary, but here we will discuss how the wardrobe of David Lynch's characters becomes a key to their secrets. Ties, sweaters, jackets, and shoes become codes through which fear, desire, absurdity, and the strange beauty of his worlds are read, and the viewer learns to notice meaning even in seemingly random details of the frame. David Lynch's cinematography is often discussed through plot mysteries and strange dialogues, but the language of clothing is no less important. Cocoon jackets, strict suits, perfectly fitting knitwear, patent leather shoes, and out-of-frame details create a sense of anxiety, humor, or fragile tenderness long before the character utters the first line. The items on screen work as symbols, hinting at who is before us - a dreamer, a villain, a doppelgänger, or a person stuck between dream and reality. The lecture will analyze how the director arrived at his visual solutions and why his works have resonated with both film scholars and stylists. There will be attention to who created the costumes, how the approach changed from surrealistic paintings to more "earthy" stories, and why even in them the sense of strangeness remains. Red shoes, plaid skirts, chunky boots, baseball caps, and work jackets come together in a system of signs that refers both to the golden age of Hollywood and to provincial everyday life.