The white hall of the Lermontov Library will turn into a cinema of memory, where stories about Laurence Olivier and Vivien Leigh sound like an open conversation with a friend. Nina Shcherbak will carefully gather facts, legends, and rare details of the romance of this famous cinematic couple to show how fragile fame, marriage, and personal happiness are. A meeting for those who love old cinema and honest stories about feelings. When it comes to Hollywood legends, we often recall striking frames and quotes from films. In this meeting, the focus shifts to how the future of stars is shaped by a series of decisions, random phrases, and upbringing that subtly forms their attitude towards themselves and others. Listeners will learn about Vivien Leigh's childhood in India, her strict Catholic upbringing that taught the girl to stand tall and not succumb to fuss. At the center of the story is a phrase from a nun about a spare set of underwear, which initially brings a smile but then unfolds as a short formula for self-respect and inner freedom for a lifetime. Through such small details, the biography of the actress gradually takes shape: doubts about her appearance, fear of being alone, the desire to work better than others while remaining delicate and attentive. Success here is not separated from fatigue, love, jealousy, and everyday trivialities where a person's character is most vividly revealed. Laurence Olivier is a man of the stage who was long considered a symbol of British theater. The lecture examines how two bright temperaments meet, why collaboration sometimes supports a union and sometimes brings tension into it, and what happens when partners experience others' triumphs and their own defeats differently. Nina Feliksovna Shcherbak structures the material as a confidential conversation: instead of a dry chronicle of dates and film titles, there are accents on gestures, intonations, fragments of letters, and memories that show the heroes as alive, contradictory, and sometimes vulnerable. There is a sense that the listeners are sitting next to them backstage rather than observing through the glass of a museum.