A restrained drama by Bruno Dumont about several days in a clinic turns into a focused look at an artist deprived of her usual support. The lecturer, along with the audience, analyzes how silence, stone, and the rituals of everyday life become the language of cinema that speaks of freedom, faith, and the fragility of the human mind. Bruno Dumont's film transports the viewer to the closed space of a clinic in southern France, where time stretches slowly. Sculptor Camille finds herself cut off from her workshop, familiar materials, and social circle, and this deprivation becomes the main plot of the film. The lecturer draws attention to the composition of the frame, the repeated routes of the heroine through the corridors, the strict rhythm of the routine, and the rare moments when the usual sequence fails. It is through these small shifts that the internal resistance becomes noticeable, which does not fit into the diagnosis and rules of the institution. Where to go with children in Yekaterinburg can be found on KudaGo.