How can dance convey the factory rhythm, become the "architecture of the body," and reflect the spirit of the industrial era? The lecture and performance at "L52" will bring to life the ideas of constructivists, for whom the body was not an expression of the soul, but an ideal machine. It will be both an analysis and a living plastic poem. In the early 20th century, constructivism burst into art like a revolution into society: powerfully, rapidly, without compromise. It captured not only architecture, painting, and theater but also dance. Innovators declared: the body is not a vessel of feelings, but a mechanism, an ideal machine capable of precisely reproducing movement. Dance became a production process, and the stage a laboratory of the new human. The event "Biomechanics of Feelings" at the "L52" space is not just a lecture, but a full immersion into the aesthetics of the avant-garde.