A chamber evening as part of the Trans-Siberian Art Festival will bring together Vadim Repin, Alexander Knyazev, and Dmitry Shishkin on one stage. The baroque clarity of Bach, the Moscow premiere of Akhunov's composition, early Prokofiev, and the power of Shostakovich's trio combine into a program where ensemble precision merges with rare emotional intensity. The chamber format particularly sharpens the character of the musicians - here it is impossible to hide behind the scale of sound, but one can hear every intonation and pause. The evening within the framework of the XIII Trans-Siberian Art Festival is built precisely on such closeness. Vadim Repin, Alexander Knyazev, and Dmitry Shishkin will take the stage - performers whose solo careers have long become independent artistic stories. In this composition, their joint performance turns into an event for those who appreciate chamber music as a space of precision and trust between artists. The program showcases different facets of academic music. Bach's Suite No. 3 for solo cello performed by Alexander Knyazev sets a high bar right away: this is music of inner composure, clarity, and freedom. After it, it is especially interesting to hear Akhunov's composition for violin and piano, which will be heard in Moscow for the first time. A first performance in the city always adds a special tension to the concert: the listener finds themselves at the point of a living musical process, where the piece is just beginning its stage biography. The piano section with Prokofiev's music gives Dmitry Shishkin the opportunity to showcase the sharpness, elegance, and brilliance of the texture. The scherzino and early études of the composer retain youthful audacity and swift movement. These pages prepare the transition to the final peak of the program - Shostakovich's Second Piano Trio.