The concert gathers music about water - dangerous, shimmering, elusive. In one program, Frédéric Chopin, Claude Debussy, Maurice Ravel, Toru Takemitsu, John Cage, and Beat Furrer come together, while Vera Voronezhskaya at the piano guides the listener through the states of the element - from the fragile calm to anxiety. Water in music is rarely just a beautiful image. It brings with it movement, instability, depth, reflections, changes in light, and a sense of time that cannot be held. It is around these states that the solo program of pianist Vera Voronezhskaya is built. Here, the romantic "Barcarolle" by Frédéric Chopin exists alongside the sound painting of Claude Debussy, the delicate work with silence and weight of sound by Beat Furrer, the almost tangible poetry of Toru Takemitsu, the shimmering of Maurice Ravel, and Cage's Water music, where the fact of randomness is important. This combination creates a rare, rich route: the listener moves from images of rain, snow, and waves to a more abstract experience of the element, which can be a source of life, a destructive force, a sign of time, and a metaphor for transition. Special attention is drawn to Voronezhskaya's performance approach. Her work is built on the desire to expand the boundaries of academic music and bring serious repertoire closer to the unprepared listener.