The program unites works by Haydn, Beethoven, and Eberle, allowing listeners to hear how academic music evolves from mature classics to innovative solutions. With the participation of Musica Viva and the performance on the harpsichord, the pieces acquire fresh colors and reveal unexpected aspects. The program is built around the compositions of three composers, whose works allow us to see different facets of academic music. The overture of the evening is created through the performance of the Musica Viva orchestra, which traditionally works with attention to the style and texture of the scores. Haydn's composition sets a precise and clear tone, reflecting the maturity of the London period, the flexibility of forms, and the ability to build drama within the classical style. This material helps the listener switch to the language of the 18th century and feel its characteristic intonations. The next major element is the concerto for harpsichord and orchestra. Yuri Favorin's part on the harpsichord adds a depth of colors to the piece that cannot be heard on a modern piano. The instrument provides a different response, emphasizing the transparency of lines, the balance of voices, and the sharpness of accents. As a result, the listener pays attention to the features of the composer's early creative period, the contrast of themes, and the unexpected solutions that temperamentally unfold in the orchestration and the interaction between the soloist and the orchestra. The program concludes with Eberle's symphony. In this work, one can hear tense movement, dense development of material, and dramatic jolts that hold attention until the last measure. For listeners, this is an opportunity to become acquainted with a composition that rarely sounds on large stages but possesses an expressive character. The orchestra structures the form to highlight the major lines and the sequence of events within the symphony. Such a performance helps to feel the dramatic energy of the piece and to see what academic language was like during a time when the musical world was in search of new expressions.