This concert is a rare opportunity to hear how epochs, styles, and emotional worlds merge in a single performance. The piano program connects Bach and Busoni, Scriabin and Liszt, Ravel and Prokofiev. At the piano - Vladimir Vishnevsky. An event for those who appreciate depth, versatility, and bold interpretations. The piano evening featuring Vladimir Vishnevsky as part of the XX International Festival "Faces of Modern Pianism" promises to be a notable episode in the cultural life of the city. On one stage, during one concert, works by composers whose worlds are so different come together, promising the listener a true musical journey from Baroque to the 20th century. The program opens with an arrangement of the Chaconne by Johann Sebastian Bach in the version of Ferruccio Busoni. This powerful and monumental composition requires from the performer not only virtuosity but also a deep understanding of the stylistics and architecture of the Baroque form. Here, not only the music but also the spirit of the time acquires a new sound. Next is Sonata No. 4 by Alexander Scriabin - one of the most refined and poetic compositions of the composer. It is full of nuances, hidden meanings, and luminous intonations. Following it is the exquisite Nocturne by Chopin and "Marguerites" by Rachmaninoff - lyrical pages where the musical line becomes a revelation. These pieces seem to open personal letters from the composers, written in the language of harmony. In the second part of the concert, the famous Seventh Sonata by Prokofiev will be performed, rich in contrasts and rhythmic bursts, followed by the grand Sonata in B minor by Franz Liszt, a composition where tension and drama combine with romantic depth. The evening will conclude with the "Waltz" by Maurice Ravel - ironic, stylized, bubbling with emotions and sound flashes.