VIVACELLO brings together musicians, actors, a choreographer, and a theater of objects on one stage, transforming the festival evening into a living statement about sound, body, word, and time. Here, the cello becomes the center of a large artistic dialogue, where chamber precision coexists with scale, freedom, and the energy of collaborative creativity. This evening within VIVACELLO is conceived as a large multilayered statement, where the cello becomes a point of attraction for various artistic forces. On stage, soloists, ensemble musicians, an actor, a theater of objects, a choreographer, a vocalist, and performers on violin, double bass, guitar, saxophone, horn, and piano will meet. This composition speaks for itself about the scale of the idea: the audience is in for not an ordinary academic concert, but a program at the intersection of genres, where each participant adds their own intonation and their own way of communicating with the listener. The central figure of the evening is Boris Andrianov, a musician whose name is particularly closely associated with the festival. Alongside him will perform Anna Koshkina, Vadim Repin, Daniil Kogan, Andrey Baranov, Roman Vikulov, Andrey Ivanov, Alisa Ten, Nikolai Vintkevich, Arkady Shilkloper, Dmitry Illarionov, Pyotr Laul, Leonid Vintkevich, and other participants of the project. A separate semantic volume is given by the artistic word of Pavel Derevyanko, the theater of objects of Mikhail Plutakhin, the choreography of Aslan Mukhametjanov, and the participation of Tatyana Chernigovskaya. Thanks to this combination, the evening promises to operate on several levels - musical, visual, plastic, and intellectual. Where to go with a child in Moscow, look for on our website.