The text of Dostoevsky about freedom and conscience will sound anew when the voice of Sergey Chonishvili is joined by a chamber orchestra. The music of Bach, Handel, and Russian composers sharpens the drama of the conversation about choice, faith, and responsibility, turning the parable into a personal inner experience. The philosophical prose of Fyodor Dostoevsky is perceived in a special way when its rhythm is picked up by a live orchestra. The musical-literary evening featuring Sergey Chonishvili and the chamber orchestra "Globalis" is built around the famous parable from the novel "The Brothers Karamazov," which raises questions of free will, conscience, and human responsibility for the choices made. The honored artist of Russia reads the text not as a textbook fragment of classics, but as a living monologue addressed to each listener. Intonations, pauses, almost whispers at key moments, and sudden bursts of emotion help to feel how sharply the story of the debate about human nature and faith sounds. His partner becomes the orchestra "Globalis" under the direction of Leonid Butinsky, while the piano part performed by Alexandra Makarovich adds intimacy and trust. The musical part of the program is structured as a broad panorama of the academic tradition. Works by Johann Sebastian Bach and Georg Friedrich Handel are performed, along with pages by Sergei Rachmaninoff, as well as a potpourri on themes by Alexander Borodin, Pyotr Tchaikovsky, and Nikolai Rimsky-Korsakov. They are complemented by specially written compositions that create a contrast between familiar melodies and a new composer's perspective. The music both supports the word and argues with it, emphasizing the internal struggle of the characters. Where to go in Moscow today is known by KudaGo.