A grand evening of film music, where the symphony orchestra and choir assemble a mosaic of recognizable themes from Soviet and world cinema - from Dunaevsky and Rybnnikov to Artemyev and Sakamoto. In one program, lyricism, march, anxiety, and bright nostalgia coexist - the frames seem to arise by themselves. Film music can work like a time machine: just a few bars, and a whole scene ignites in memory. On this evening, the Russian State Symphony Orchestra for Cinema and the State Academic Choir Chapel of Russia named after A. A. Yurlov meet on one stage. At the podium is Sergey Skripka. Together they transform familiar themes into a grand concert canvas, where rhythm, timbre, and the human voice are essential. The program is assembled from scores to films known to both those who grew up on Soviet cinema and those who love grand screen stories today. Pages from "The Goalkeeper" and "The Rich Bride" by Isaak Dunaevsky, music by Bogoslovsky for "Different Fates", "Alexander Parkhomenko" and "Moonshiners", themes by Eshpai, Levitin, and Molchanov will be performed. Nearby - Shnitke with his nervous intonation, Gubaidulina, Trotsyuk, Artemyev, and melodies from "Siberiada" and "The Girl and the Dolphin". Colors will be added by Gladkov, Maxim Dunaevsky, and Rybnnikov - with "A Great Cosmic Journey" and "The Adventures of Buratino". A separate line of the evening is a look beyond the domestic screen. The program includes Ryuichi Sakamoto with music for "The Last Emperor" and Jerry Goldsmith with the theme from "Poltergeist". The orchestra will showcase the nuances of timbre: how the texture changes in strings, how the woodwinds provide brilliance, how the percussion keeps the pulse. The choir will add volume and dramatic scope where orchestral color alone is not enough. Where to go in Moscow on the weekend will be suggested by our website.