Hot tango, Spanish song, and Mexican serenade come together in one program: four tenors sing as if each verse is a confession. Solo violin, bandoneon, and accordion add spice, while dance numbers indicate when to smile and when to hold your breath. Sometimes, the academic school of singing reveals itself most vividly in genres where passion and rhythm are just as important as precise intonation. This program is composed of Latin American tangos, Spanish and Mexican songs, pages from zarzuela, and melodies that are easily recognizable from the first notes. Here you will find whispers of serenades, the bold accent of the bandoneon, and that moment when you want to sing along, even if you came to "just listen." On stage is the art project "TenorA of the 21st Century": Sergey Pisarev, Georgy Faradjev, Stanislav Mostovoy, and Dmitry Bobrov. Their voices work as an ensemble, not as a competition: someone takes on the lyrical line, someone picks up the dramatic turn, and together they weave a story-from a soft, almost conversational beginning to a full-bodied climactic sound. The special charm of the evening lies in the arrangements with a noticeable instrumental role. The solo violin, bandoneon, and accordion here are not just background, but full-fledged characters that change the perspective of familiar melodies. The concert features Russian instrumentalists: Yuri Medyanik, Alexey Sokolov (guitar), Maxim Gusev (violin), Maxim Tokaev (accordion). In such combinations, tango sounds sharp and dry at times, and lyrical and almost cinematic at others. Another touch is the dance duo Marina Kopylova and Maxim Buloychik: several numbers receive a plastic design, and in the tango, the project’s soloists themselves-Sergey Pisarev and Georgy Faradjev-also join in. This adds a lively theatrical drive and helps to feel the rhythm with the body. Ideas on where to go in Moscow are collected on our website.