When soloists, choir, and symphonic orchestra come together on stage, the music becomes almost physical - like a wave. That evening, a major spiritual cantata by Antonín Dvořák will be performed: dramatic, bright, with powerful choral climaxes and delicate solo lines. Sometimes the concert begins even before the first note - in anticipation of a great choral breath and powerful orchestral sweep. This time, the subscription program has been changed: instead of the previously announced staged work, a large-scale spiritual cantata by Antonín Dvořák, written in 1877 and published as op. 58, will be performed. At its core is a Latin medieval text about suffering and hope. The composer does not turn it into a cold church "form," but builds a dramaturgy that is understandable without special knowledge: the theme arises quietly, as if from afar, then expands, gaining weight and strength, returning in new shades. In large choral episodes, a common prayer is heard, while in chamber solo pages - a personal intonation, vulnerable and honest. Listening to this music is interesting as a dialogue of layers: the choir supports the soloists, argues with them, sometimes takes the floor first; the orchestra paints the background and simultaneously leads the plot, illuminating transitions with the timbres of winds and strings. There are many contrasts here - from transparent, almost whispering pages to climaxes that hold attention both physically and mentally, without turning into "loudness for the sake of loudness." On stage, the soloists, the Choir, and the Symphony Orchestra of the St. Petersburg Cappella come together - a format in which the nuances of the text and the colors of the sound are especially well heard. Such an evening will appeal to those who appreciate large-scale academic music, love choral sound, and want to leave the hall with a sense of cohesion. And if you are just getting acquainted with the spiritual repertoire, start with the simple: catch the melody, follow the change of mood, note the moments when the choir seems to "breathe" together with the orchestra - and the meaning will reveal itself. Our website features the current program of St. Petersburg.