In the Alfred Schnittke Hall, sonatas by Johann Sebastian Bach and compositions by Franz Schubert will be performed by Alexey Lundin and Varvara Myagkova. The duo of violin and piano reveals the chamber side of academic music - from the focused plasticity of Bach's lines to the soft lyricism of Schubert's pages. The chamber evening in the Alfred Schnittke Hall introduces listeners to how academic music sounds differently in the dialogue of two instruments. The sonatas of Johann Sebastian Bach and the compositions of Franz Schubert form the basis of a conversation about time, human experiences, and the power of melody that retains clarity even after several centuries. The violin part is performed by Alexey Lundin, the first violin of the "Virtuosos of Moscow" orchestra and the "Mozart Quartet." Next to him at the piano is Varvara Myagkova, whose piano style critics describe as swift and self-forgetting. Together they construct a narrative without words: strokes, breath of phrases, shades of sound, and pauses create a sense of a confidential conversation where every intonation matters. Bach's violin sonatas are famous for the equal weight given to both the violin and the keyboard instrument. The composer rejects the usual division between soloist and accompanist: both voices constantly exchange themes, support, and complement each other. In these compositions, one can hear both the strict architecture of the baroque form and the delicate, almost confessional line directed inward toward the human. Schubert's pages continue the conversation but change the emotional perspective. The lyrical images become softer, and bright, sometimes bittersweet melodies emerge in the music that are easy to remember. They convey a fragile balance between calm and anxiety, characteristic of late Viennese romanticism. The duo of Lundin and Myagkova emphasizes this balance, carefully building the dynamics from a barely audible whisper to tense climaxes. Ideas on where to go in Moscow are collected on our website.