The concert connects Brahms' music with artistic word, turning the evening into a more personal and narrative conversation with the composer. Here, both the power of symphonic sound and the chamber closeness of the piano pages are important, as well as the special intonation of the program, where familiar compositions come together to form a cohesive emotional portrait. This program is designed to showcase Brahms not through one genre or one state, but in several dimensions at once. There is orchestral breadth, solo piano, large symphonic fragments, and artistic word that adds additional depth and internal coherence to the concert. This format makes the evening especially interesting for those who love academic music as a thoughtful narrative, where meaningful accents, shifts in scale, and gradual buildup of impression are important. The program includes Hungarian Dance No. 5, intermezzo for piano, fragments from "Tragic Overture", the First Symphony, the Second Piano Concerto, and the Third Symphony. This selection allows for a very varied listening experience of Brahms. In some pages, he appears collected and strict, in others - almost confessional, and in others - powerful and dramatic. For the listener, this is valuable precisely because of the diversity of perspectives: in one evening, one can feel both the scale of the symphonist and the subtlety of the miniatures master, and the internal tension that runs through his larger forms. The presence of artistic word holds particular significance here. Vladimir Koshcheyev adds a special dramaturgy to the program: the music receives a verbal context, and the listening becomes more directed and meaningful. This helps to perceive familiar pages of the repertoire in a new way and to feel more strongly the internal logic of the entire composition of the evening. On stage will be the State Academic Bolshoi Symphony Orchestra named after P. I. Tchaikovsky, conductor Denis Lotoev, pianist Konstantin Khachikyan, and Vladimir Koshcheyev.