An evening of contemporary academic music, where voice, cello, violin, and electronics meet. At the intersection of the texts of Whitman and Mandelstam, timbre and rhythm, the artists create an expressive sound landscape. It will be a sensual experience - tense, fragile, real. On this evening, the chamber hall will be filled with sounds where voice, violin, cello, and electronics converge. The program is built around the works of Vladimir Gorlinsky - one of the boldest and most precise composers working in the field of contemporary academic music. The central piece of the evening - "Fromdarknesssongs" - is a musical statement about the birth of meaning from chaos. The mezzo-soprano voice, cello, and electronics intertwine in a strange, dark, unsettling yet delicate and piercing composition inspired by the poetry of Whitman, Celan, and Mandelstam. There are no direct quotations here - only sensation, rhythm, the breath of words translated into the language of sound. The duo DVOE (Olga Dyomina and Evgeny Subbotin) and the vocal ensemble N’Caged will not just perform the music but will become its bearers, mediators between the listener and what cannot be expressed in words. The program includes a new version of the piece "The Passerby" based on the poems of Akhmatova, the ensembles "River" and "Seagull" (dedicated to Boris Yuhanov), and will conclude with "Orphic Songs" for cello and electronics. The image of Orpheus here is not a myth but a musical motif that returns again and again, like a glance into the past. This event will interest those seeking an experience - musical, philosophical, emotional. For those who love art that speaks to us at the edge of the possible. For those who find it important to hear what resonates in the present time.