In the chamber hall, Scriabin, Liszt, and Rachmaninoff are performed. The evening will gather those who love classical music live, follow young performers, and notice how world classics change along with a new generation of listeners. The evening at the House of Losev begins with an almost palpable silence: the small space gradually fills with whispers of anticipation, and Anisa Dazhaeva steps onto the stage. An international competition laureate and a student of the Moscow Conservatory, she presents a program centered around three composers' worlds - Scriabin, Liszt, and Rachmaninoff. Each of them speaks in their own way about internal tension, the limits of human strength, and how music transforms experience into an artistic image. The first part is dedicated to Alexander Scriabin. The Etude op. 42 No. 5 and Sonata No. 1 reveal the drama of an artist who acutely feels the discord between dream and reality. Sharp flashes, a nervous rhythm, and swift passages demand precise concentration from the pianist and readiness from the listener to follow this tense movement. In live performance, it is especially clear how late romanticism and almost modernist sharpness merge in these pieces. In the second part, Franz Liszt's Sonata "After Reading Dante" and Sergei Rachmaninoff's Sonata No. 2 are performed. The literary source of the former is the "Divine Comedy," and this is felt in every contrast: from darkness and heavy harmonies to enlightened episodes. Rachmaninoff has a different type of dramaturgy - large waves of sound, broad melodic lines, a sense of an endless internal monologue. Such a program allows one to see how a single performer constructs three different worlds while maintaining the integrity of the evening's expression. Entertainment in Moscow is gathered on our website.