The authorial cycle by Artem Vargafitik transforms the famous names from Mozart to Morricone into a lively narrative with the music of the "Hermitage" ensemble. The violin of Ilya Norshtein and the voices of the instruments help to hear academic music and film music in a new way, understand the terms, feel the connection between eras, and discover your favorite themes in the grand orchestral sound. What is hidden behind a letter in the music notebook, and how can one letter of the alphabet gather a world of sounds around it? This concert by Artem Vargafitik and the "Hermitage" soloists' ensemble is structured as a lively conversation about music, where each name and term acquires character, history, and sound right before the audience's eyes. At the center of the evening are composers whose names start with the letter "M." Wolfgang Amadeus Mozart will appear as a symbol of the classical era and as the author of profoundly human, universally understandable academic music. Next to him is Modest Mussorgsky with his bold language and sharp colors, Gustav Mahler with his confessional symphonic drama, and Nikolai Myaskovsky, who responds in his scores to significant historical changes. A special line of the program is the film music of Ennio Morricone. Familiar themes sound in concert performance, and behind the well-known melodies unexpected details emerge: work with pauses, orchestral colors, contrasts of light and shadow. The change of fragments demonstrates how one author builds a world of characters-from whispers to ultimate intensity. Artem Vargafitik explains complex concepts in simple language: what a march is and how it differs from a minuet, how a court dance gives birth to a symphonic movement, why a certain rhythm makes us walk in step or, conversely, dreamily slow down. The listener will learn new facts and begin to hear structure, humor, drama, and hidden echoes between different eras in familiar pages of scores. Where to go in Moscow today will be told by our website.